
Willy Porter is one of those musicians who mostly avoided the pitfalls
of pop success by refusing to play the marketing game and staying true
the maverick nature of his muse. As a performer and songwriter,
however, Porter is so talented that even refusing to go along with the
mores of the moment he occasionally nails popular tastes to the wall
and clips a chart or two. Porter's greatest adulation and respect have
always come from fellow musicians; folks who really know and understand
what it takes to craft the sort of elemental songs that make up
Porter's catalog. Willy Porter's latest CD,
How To Rob A Bank,
is an intelligently stylistic album formed from the raw clay of
Americana, Folk and Blues. You'll hear names like Bob Dylan and Woody
Guthrie brought up when talking about Willy Porter. The comparisons are
apropos.
How To Rob A Bank opens with
Learning The Language,
a down-tempo Country/Folk tune about emotional maturity. The
arrangement here is superb, matching a lyrical acumen that's
distinctive ("Yeah I'm learnin', pain comes too quick and wisdom comes
too slow").
Colored Lights has a very restrained feel to it,
and the lush arrangement gives the whole song a very distant feel, like
an experience through a looking glass.
I Didn't Bring It Up
is a song about starting over. The sense of movement in the song
matches the sense of dislocation upon losing a long term relationship,
yet the vocal harmonies solidify and ease the listener (and presumably
the protagonist).
Hard Place extols the costs of war as
scene across three generations. The chorus here is something of a
dream-come-true, based in Blues and Folk.
Wide Open Mind reminds
me a bit of early work of The Black Crowes. Porter's creation is
offered in a delicious Blues/Rock arrangement that will stick with you
for days. Porter thoroughly outdoes himself on
How To Rob A Bank.
The song is topical, sounding like a blueprint for the Bernie Madoff
scandal; Porter has crafted an intelligent and accessible diatribe
against greed and human nature using wit, artistic tenor and a panache
that would please fans of Arlo Guthrie. Similarly on
Psychic Vampire, Porter captures the essence of someone we've all known at some point in our lives in song.
How To Rob A Bank closes out with
Barefoot Reel, a down-tempo tune with a melody you could buy a decent loft apartment in lower Manhattan with.
Willy Porter is a distinctive talent; an outsider so good and so true to who he is that the center gravitates toward him.
How To Rob A Bank is Porter's best work to date. Expect
How To Rob A Bank to dominate year end lists in critical circles, and garner Porter a lot of exposure along the way. This is a special album; a
Wildy's World Certified Desert Island Disc. Make sure you check it out.
Rating: 5 Stars (Out of 5)
Original article at: http://wildysworld.blogspot.com/2009/07/review-willy-porter-how-to-rob-bank.html
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